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… Art” is based on the simple but revolutionary premise that art should be mainly about ideas instead of material objects. In other words, artists should focus on what they think, not on how things look. Conceptual artists usually set aside the traditional…
Details: Words: 1437 | Pages: 5.0 (approximately 235 words/page)
… in America in Colonial days who had a strong, imaginative feeling for color and design; for creative art in their households, and even on such earthy objects as their barns, fences, wagons and weather-vanes. Our knowledge of Pennsylvania-Dutch pottery…
Details: Words: 569 | Pages: 2.0 (approximately 235 words/page)
… into a category based on certain characteristics. Such features include light that draws attention to objects, rough textures, and visual pleasure that the viewer receives upon looking at paintings. Grainstack (Sunset) by Claude Monet is a great…
Details: Words: 1203 | Pages: 4.0 (approximately 235 words/page)
… Williams uses many symbols which represent many different things. Many of the symbols used in the play try to symbolize some form of escape or difference between reality and illusion. The first symbol, presented in the first scene, is the…
Details: Words: 711 | Pages: 3.0 (approximately 235 words/page)
… Starry Night, which was done on oil canvas, in 1889. I'm not really familiar with Van Gogh's work, but this is one piece of work of his that stands out to me. Vincent Van Gogh's Starry Night is an excellent painting in which Van Gogh paints a picture…
Details: Words: 331 | Pages: 1.0 (approximately 235 words/page)
… to evil, but to good. It is your soul I am buying for you. I withdraw it from the dark thoughts and from the spirit of perdition, and I give it to God!” (Hugo, 30) This dramatic statement uttered by the bishop, Magloire in Victor Hugo’s Les Misérables…
Details: Words: 958 | Pages: 3.0 (approximately 235 words/page)
… Brecht (1898-1956) a non-conformist German playwright, was the most important single influence in the development of epic theatre. His political beliefs and experiences were his motivation to try to change the world through drama. Through the theatre…
Details: Words: 1796 | Pages: 7.0 (approximately 235 words/page)
… image of the single room. Pinter himself spoke of this form as being one of the most pure for the theater. For Pinter, one room, a few characters, and a door, and the fear of what will come through the door next is all that is necessary for a good play: …
Details: Words: 560 | Pages: 2.0 (approximately 235 words/page)
… by Ivan Albright. The central figure is Ida. Ida is holding a mirror while sitting in a wicker chair. Ida’s oval shaped face is framed by gray, wavy, chin length hair, that is parted down the middle. Id’s hairstyle reveals a large forehead that…
Details: Words: 575 | Pages: 2.0 (approximately 235 words/page)
… in society, which tries to dictate the lives of people. Consequently, Tennessee Williams imminently introduces the audience to the subject of mendacity and its malignancy. This is not only shown on a familial level, but on a personal one too (e.g.…
Details: Words: 602 | Pages: 2.0 (approximately 235 words/page)
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