Edward Albee's Who's Afraid of Virginia Woolf is a disturbing and powerful work. Ironically, it is disturbing and powerful for many of the same reasons. As the audience watches George and Martha tear savagely at each other with the knives of hurled words, sharpened on pain and aimed to draw blood, the way in which these two relentlessly go at each other is awful to see, yet strangely familiar. Like wounded animals, they strike out …showed first 75 words of 1712 total…

…showed last 75 words of 1712 total…never end. A relationship is indeed something two people create together, an invisible child if you will, but it must be based on growth, not stagnation, honesty, and not deceit, if it is to survive. Martha and George killed their fantasy child so that a new one could be born that is reflective of their hopes and strengths, rather than their fears and weaknesses. After all they've survived, this birth should be an easy one.